For many years, the front door of Mary and Dick’s Berkeley home has graced the cover of our Holiday gift offering. When Scott suggested that I update the cover by creating a new illustration, the subject of gathering around the table for Christmas dinner came to mind. Dinner with family and friends is always a highlight to our Holiday Season.
Each season in our Alexander Valley vineyard has its own distinct characteristics and color. While most think of Spring as bright and exciting with all of the vineyard’s new growth, it is early Summer that I enjoy most. The vines have bloomed (small berries begin to appear under the shade of its leaves) and are beginning to grow exponentially. When you picture a vineyard, you see it as a blanket of green, but when you walk through a vineyard, there are a vast number of hues, perhaps as many as 50.
A few weeks ago as I walked through the vineyard with our dog, Annie, my eye caught sight of a lone Eschscholzia californica, a California poppy. It caught me by surprise, because poppies typically start blooming here in the Spring. It was a bit tattered by the rain, but it stood out amongst grasses with its vibrant orange hue. When I returned home, inspired by its defiance of Winter, I decided to paint a botanical rendering of it.
Why paint, why watercolor? The answer for me is both simple and complex. The simple answer is… Scott, my boss, liked my pen and ink drawings, but he felt that color would add to the illustrations. When I went to the art supply store, the watercolors were in front; oils and acrylics were in the back. The saleswoman explained that watercolors require only paper, brushes and paint, whereas with oils and acrylics there was a whole list of items I would need, plus the cleanup seemed daunting. Watercolor was less complicated to me, so a watercolorist I became.
